![]() ![]() ![]() Then bright, as if we’re all under attack. Which sounds the way a rifle might when shotĪlive with waiting, one moment powder-black #Signpost reviews 2017 crack#There’s smoke, a shattering of shells, a crack Small parachutes drift paper-frail as thought. They scurry from the missile’s steady glare. Of lights sets off the dogs - they smell the ash, With sparks, a hissing brilliance everywhere ![]() Our weekend brings its long barrage - the flareĪnd cherry bomb, the snap, the thunder-flash.Ī rocket streaks the sky. There’s nothing good about war but what’s found in this book - and this is damn good, by one of our really best.įourth of July lawn signs for veterans with PTSD As a vintage Navy wife myself, I was afraid of what I’d feel but I welcome this uncompromising excellence that reminds me of my finest yearnings. All this raw material about being alive is disruptive, so the poet whips it into something we can own. Sometimes a reader just admires the work - with Dubrow, we are at the epicenter. Vulnerability in itself is not a virtue until artistry transforms it to a wound we can each share. What does Dubrow do with this - her poems are like dreams that are accomplished and remembered with exquisite care. ![]() The reader doesn’t have to be left on shore to know what we all know - that the good exchange in love is missed, like the dead. Dubrow holds it in check through complex tapestry - every poem a new viewpoint - pulling a guiding thread we follow with painful recognition. Loss is ubiquitous, loneliness universal, so to magnify these traits is dangerous - too much unleashing is hard on the consumption - but the poem is a perfect vehicle to hold tumult, a mechanism of service for this narrative. It easier to leave then to be left, but how does a military wife transform that emotional experience into art that will last? Dubrow approaches her marriage of values with the most substantive work on the theme written today. Then there were many napkins, many knives in the Seine. The dream nevertheless wanted to be congratulated for its When all the toys were swept out of the atticĪs though marking time. The collection includes some unpublished poems, and his 41-page poem, “Girls on the Run.” Here’s one of the poems premiered in this volume (2000): What we honor is poetry not as prophetic statements, but as deeds that stay. His poetry comes from opera, art, film, human relationships, with a catbird seat on the 20th and 21st centuries. Ashbery, as an art critic, brings us the knowledge that the viewer (the reader) must also be a participant. I remember in the 1960s holding one of his books and feeling the energy of unpredictability and possibility go through me like electricity. And this is what he’s taught us: Language isn’t a destination place, but a porthole to observe a sea that is otherwise unfathomable. Ashbery has used every phonic in the English language to interconnect our sensibilities to the potential of language. The Library of America celebrates the late John Ashbery’s 90th birthday with a second volume of his collected poems. Plus, four more on the “Best Books for Fall” by poets Hayden Saunier, Susanna Lang, Gabriel Fried, Miranda Field and Chana Bloch. Poems and poetics by Chris Llewellyn, edited with essays by Michelle B. 70 pages.įragments from the Fire: The Triangle Shirtwaist Company Fire of March 25, 1911. 104 pages.Īppearances by Michael Collins. 71 pages.ĭon’t Call Us Dead by Danez Smith. 767 pages.ĭots & Dashes by Jehanne Dubrow. Ashbery, Collected Poems, edited by Mark Ford. ![]()
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